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Edit 2 is our primary edit suite
- an ideal technical and creative workspace in which almost
anything is possible. Here we combine the classic disciplines of
hand-made television with the tools and technologies of the
digital high definition world. |
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A powerful HP z820 workstation
running Avid Media Composer with Symphony option under Windows 7
is the core non-linear editing system for Edit2. The Avid Nitris
DX gives input and output connectivity to HD-SDI and SDI signals
as well as standard definition composite and component video,
and analogue and digital AES and SPDIF digital audio. Whatever
the videotape, video or audio signal format, we can handle it.
Our Avid Media Composer system is
augmented with Avid Artist (Euphonix) control panels for tactile
control of transport functions, colour grading and audio mixing. |
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Videotape
formats
With HDCAM as the company's primary HD acquisition format, Edit
2
is equipped with a Sony HDW-M2000P/20 HDCAM VTR which offers
both playback of HDCAM in all HD formats as well as exceptional
up-conversion from Digital Betacam, Betacam SX, MPEG IMX,
Betacam SP and standard Betacam within the same tape deck.
Edit 2 is
equipped with the following VTR's as standard -
Sony HDW-M2000P/20 |
HDCAM with multiformat playback |
Sony HVR-M15E |
HD DVCAM /
DVCAM / DV / DVC PRO (playback) |
JVC BR-S822E |
S-VHS/VHS |
Sony BVU-950P |
High Band U-matic (3/4") SP
with Dolby C |
Sony BVH-3100PS |
1" C-format (with advanced
PR-98 TBC) |
Sony DVW-500P |
Digital Betacam |
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Additionally, our
legacy edit system in Edit2 has access to the following
VTR's |
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Sony DVW-500P |
Digital Betacam |
Sony BVW-75P |
Betacam SP |
Sony J-3 |
Digital Betacam with Betacam SP,
SX and MPEG IMX playback) |
Sony DSR-20P |
DVCAM and DV playback |
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Other legacy
digital and analogue formats are accessible from VTR's in our
apparatus room.
The new suite has comprehensive routing and patching for all
analogue video, digital video, analogue audio, digital AES and
SPDIF audio, timecode and serial control, with the capability of
the speedy temporary integration of other formats. |
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Audio formats
Besides file-based digital audio via our server networks and the
audio tracks integral to the system VTR's, Edit 2 is equipped
with various digital and analogue audio sources including -
Revox PR 99 MkIII 1/4" reel-to-reel |
Tascam 122 Mk III Compact cassette |
Fostex D-15 DAT |
Sony MDS-E11 MiniDisc |
Sony CDP-D11 CD player |
Akai DR-4Vr 4-track HDD recorder |
Dual 505 Gramophone turntable |
In addition to Avid media Composer,
our NLE workstation is equipped with Adobe Audition for digital
audio mastering and editing - a particularly useful application
for recording and editing voiceovers.
A Yamaha O3D hybrid
analogue/digital 24 input audio mixer with discreet A/D
converters and digital effects processing on every channel is
the core of the audio system in Edit 2. Our monitoring system is
based on K-Rok active monitors with graphic EQ calibration to
the room acoustics. |
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Patching & routing
Edit 2 is a very flexible edit suit with all audio, video,
time code and serial control signals fully configurable via the
following patch and routing systems -
Sigma 4-level 8x8 routing matrix for
composite, component, 4 channel audio and RS-422 signals |
Kramer SDI 8x8 routing matrix
for SDI signals (VTR & monitoring) |
Kramer 10 way composite switch for
auxiliary monitoring |
48 way HD-SDI patchbay |
48 way SDI patchbay |
144 way composite/component video patchbay |
40 way monitor feed patchfield |
260 way analogue audio patchfield |
48 way analogue timecode patchfield |
48 way SPDIF (Coax) patchfield |
48 way AES digital audio patchfield |
24 way RS-422 Cat5e patchfield |
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System infrastructure
Edit 2 is both a modern HD edit suite and a backwards-compatible
SDI and analogue suite, with a classic approach to broadcast
engineering which includes discreet VDA's on all composite
sources, full TBC control from the desk of all VTR's - including
the advanced video processing features of the HDW-M2000P HDCAM
VTR, advanced digital and analogue waveform and vector
monitoring (Tektronix), a central SPG for synchronization,
preview monitoring of all VTR's and sources as well as
comprehensive master monitoring. The system also includes SD
format-conversion and aspect-ratio conversion (Snell &
Wilcox Kudos) as well as a number of tools for conversion
between various digital audio formats. There are ample audio and
video tie-lines between Edit2 and our other technical
facilities. When not in use from the NLE and main control desk,
all serial controlled VTR's may be controlled and monitored from
the producer's desk for logging and transcription purposes. |
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Graphics production
The production of graphics, captions and subtitles is
accomplished both with the integral tools of Avid Media Composer
and dedicated applications such as Adobe and Corel Graphics
which are not only available on the Edit 2 main workstation but
also on the other graphics workstations within our facility. |
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Media data
networks and mass storage
With few exceptions, no production media or metadata is stored
on any of our workstations. All media data and metadata is
stored on our central servers, which are located outside Edit 2.
Besides our technical and administrative networks and server
systems, Edit 2 is served by our HD-Medianet, a dedicated server
and storage system with its own 2Gbit network for HD media data
and metadata. The system comprises eight Dell 64-bit Poweredge
servers running Dell Powervault storage configured in RAID5+0
offering ample storage space, exceptional real-time performance
and convenient backup and data redundancy. This approach gives
the added advantage of Edit 2 having a quiet working environment
- quiet enough in fact to allow voiceover and simple acoustic
instrumental recording to be undertaken in the same room. |
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Legacy digital productions
Our previous standard definition Liquid
Silver and SD/HD Liquid
Chrome HD non-linear edit suites have been reconfigured as a smaller and
more simple suite for handling pre-existing
production media data. |
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In the 15 years
since we built our first digital editing system, we have
completed over 100 productions and the media data and mastering
files for most these are still on our servers, allowing quick
access to earlier productions for clients who require new
masters, language versions or the use of legacy SD media footage
in new productions. Due to the incompatibility of data formats
between the Liquid series systems and our new Avid HD system, we
have chosen to maintain the capability to access, and if
required, to re-edit or language version, on our earlier
systems. |
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This suite
has direct access to Digital Betacam, Betacam SP, IMX,
Betacam SX, DV/DVCAM VTR's and whilst not intended for the post-production of new projects, the
reconfiguration of these systems will allow us continued access
to archival data and videotape in the years to come, as well as allowing simpler
SD assignments to be handled if the need arises. |
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